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    <loc>https://www.sabinekbergmann.com/stories/clarity-in-cabo-pulmo</loc>
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    <lastmod>2020-09-30</lastmod>
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      <image:title>Stories - Clarity in Cabo Pulmo</image:title>
      <image:caption>Photo by Nong Vang via Unsplash</image:caption>
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      <image:title>Stories - Clarity in Cabo Pulmo</image:title>
      <image:caption>Photo by Max Gotts via Unsplash</image:caption>
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      <image:caption>Photo by Amelie Niklas Ohlrogge via Unsplash</image:caption>
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  <url>
    <loc>https://www.sabinekbergmann.com/stories/awakening-the-canopy</loc>
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    <lastmod>2020-09-28</lastmod>
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      <image:title>Stories - Awakening the Canopy</image:title>
      <image:caption>A Gong man from the village of Kok Chiang in 1982. Photo: David Bradley.</image:caption>
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      <image:title>Stories - Awakening the Canopy</image:title>
      <image:caption>In Itonde Mer, Cameroon in 2017, Anna Belew conducts an interview on the beach. Her work started as language documentation, but quickly transformed into a mission of revitalization. Photo courtesy of Anna Belew.</image:caption>
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      <image:title>Stories - Awakening the Canopy</image:title>
      <image:caption>Julia holds a lamb in her lap as she sits in the courtyard of her family home in 1978. In Pacaraos, daily life occurred in the courtyard. The houses were for sleeping and for storage. During Willem Adelaar's first summer in Pacaraos, Julia served as his main language consultant. Photo: Willem Adelaar.</image:caption>
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      <image:title>Stories - Awakening the Canopy</image:title>
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      <image:title>Stories - Awakening the Canopy</image:title>
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      <image:title>Stories - Awakening the Canopy</image:title>
      <image:caption>Painting by Candace Rose Rardon.</image:caption>
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      <image:caption>Painting by Candace Rose Rardon.</image:caption>
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    <loc>https://www.sabinekbergmann.com/stories/lombards-darling-monkeyface</loc>
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    <lastmod>2020-09-29</lastmod>
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      <image:title>Stories - Lombard’s Darling Monkeyface</image:title>
      <image:caption>The monkeyface eel, widely considered ugly-yet-delicious, makes its home on the rocky coast. It is the elusive object of affection — and livelihood — for a small band of dedicated fishermen. (Photo by Randy Wilder, Monterey Bay Aquarium)</image:caption>
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      <image:title>Stories - Lombard’s Darling Monkeyface</image:title>
      <image:caption>Kirk Lombard poke poles off the coast of San Francisco. (Photo by Sean Kasmir)</image:caption>
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      <image:title>Stories - Lombard’s Darling Monkeyface</image:title>
      <image:caption>Plain fin midshipman. (Photo by Sean Kasmir)</image:caption>
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      <image:title>Stories - Lombard’s Darling Monkeyface</image:title>
      <image:caption>Monkeyface eel, roasted and served whole by Chef Mateo Granados. (Photo courtesy Mateo Granados)</image:caption>
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      <image:title>Stories - Lombard’s Darling Monkeyface</image:title>
      <image:caption>Kirk Lombard gestures at the world with a crab. (Photo by Sean Kasmir)</image:caption>
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      <image:title>Stories - Lombard’s Darling Monkeyface</image:title>
      <image:caption>Kirk Lombard prepares to fish the San Francisco shoreline using his poke pole. (Photo by Sean Kasmir)</image:caption>
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      <image:title>Stories - Lombard’s Darling Monkeyface</image:title>
      <image:caption>Kirk Lombard with his record-setting monkeyface eel. (Photo by Kirk Lombard)</image:caption>
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    <loc>https://www.sabinekbergmann.com/stories/watching-wildlife-move-through-sonoma-valley</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-28</lastmod>
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      <image:title>Stories - Watching Wildlife Move Through Sonoma Valley</image:title>
      <image:caption>Over one year, camera traps snapped over 83 photos of bobcats in underpasses. They were particularly active in summer. (Photo by Alice Zhuk)</image:caption>
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      <image:title>Stories - Watching Wildlife Move Through Sonoma Valley</image:title>
      <image:caption>In one analysis deer made up almost 50 percent of the individual animals using four underpasses monitored with camera traps. (Photo courtesy Sonoma Land Trust)</image:caption>
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      <image:title>Stories - Watching Wildlife Move Through Sonoma Valley</image:title>
      <image:caption>Looking west from the Mayacamas Mountains, the land slopes down into the Sonoma Valley and then rises again becoming Sonoma Mountain. (Photo by Stephen Joseph, courtesy Sonoma Land Trust)</image:caption>
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      <image:title>Stories - Watching Wildlife Move Through Sonoma Valley</image:title>
      <image:caption>Researchers set up a camera trap at a culvert that carries water under Highway 116. (Photo courtesy Sonoma Land Trust)</image:caption>
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      <image:title>Stories - Watching Wildlife Move Through Sonoma Valley</image:title>
      <image:caption>Wildlife camera trap photos courtesy Sonoma Land Trust</image:caption>
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      <image:title>Stories - Watching Wildlife Move Through Sonoma Valley</image:title>
      <image:caption>Gray foxes were the second most common animal documented in the underpasses during the camera trap study. They traveled through them most often in the fall, almost five times more frequently than in the spring. (Photo by Daniel Dietrich)</image:caption>
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    <loc>https://www.sabinekbergmann.com/stories/murder-in-the-muck</loc>
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    <lastmod>2020-09-28</lastmod>
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      <image:caption>Keith Bouma Gregson peruses the Eel River</image:caption>
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    <loc>https://www.sabinekbergmann.com/stories/our-shot-at-cosmic-stardom</loc>
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    <lastmod>2020-09-28</lastmod>
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    <loc>https://www.sabinekbergmann.com/stories/a-generations-coastal-research</loc>
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    <lastmod>2020-09-28</lastmod>
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      <image:title>Stories - A Generation’s Coastal Research</image:title>
      <image:caption>Alina Rainsford checks a quadrat at the Duxbury Reef Monitoring Site. (Photo by Sabine Bergmann)</image:caption>
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      <image:caption>Replicate species counts at Natural Bridges monitoring site. (Graph by Dawn A. Osborn, John S. Pearse and Christy A. Roe, UC Santa Cruz)</image:caption>
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      <image:caption>Sustainable Seas students walk to Duxbury Reef in May. (Photo by Sabine Bergmann)</image:caption>
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      <image:caption>The Sustainable Seas Monitoring Group (with the author — a former participant in the program — front row on the left) at Duxbury Reef. (Photo by Sabine Bergmann)</image:caption>
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      <image:title>Stories - A Generation’s Coastal Research</image:title>
      <image:caption>Branson School students check a quadrat as part of a coastal monitoring program at Duxbury Reef. (Photo by Sabine Bergmann)</image:caption>
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      <image:title>Stories - A Generation’s Coastal Research</image:title>
      <image:caption>Kathy Soave, the Branson School science department chair and one of the leaders of the Long-term Monitoring Program and Experiential Learning for Students monitoring group. (Photo courtesy Kathy Soave)</image:caption>
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  <url>
    <loc>https://www.sabinekbergmann.com/stories/the-enduring-age-of-exploration</loc>
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    <lastmod>2020-09-28</lastmod>
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      <image:caption>Moonrise at Port Charcot on Booth Island. ©Sivani Babu</image:caption>
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      <image:title>Stories - The Enduring Age of Exploration</image:title>
      <image:caption>Sivani in the South Shetland Islands in 2014. In the background, the S/Y Sarah W. Vorwerk waits. ©Laurent Dick</image:caption>
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      <image:caption>The weather changing in Dorian Bay. ©Sivani Babu</image:caption>
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      <image:title>Stories - The Enduring Age of Exploration</image:title>
      <image:caption>A gentoo penguin chick and egg in the nest. ©Sivani Babu</image:caption>
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    <lastmod>2020-09-28</lastmod>
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      <image:caption>Photo by Erick Rock. ©Natural Habitat Adventures.</image:caption>
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      <image:caption>Photo by Sabine Bergmann.</image:caption>
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      <image:caption>Fail Festival 2015</image:caption>
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      <image:caption>Activity at the 2016 EWB national conference. Copyright: Jenn &amp; Dave Stark.</image:caption>
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      <image:caption>Alcatraz Island, Golden-Gate National Recreation Area by Daniel Gross</image:caption>
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      <image:caption>Golden Gate National Recreation Area by Anthony Chiffolo</image:caption>
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      <image:caption>Rocky Mountain National Park WPA Poster by Doug Leen and Brian Maebius</image:caption>
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      <image:caption>Muir Woods National Monument by Shayna Roosevelt</image:caption>
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      <image:caption>Point Reyes National Seashore by Ed Gaither</image:caption>
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    <lastmod>2020-09-30</lastmod>
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      <image:title>About - about the author</image:title>
      <image:caption>My hope is to showcase the voices of individuals around the world. To add perspective and diversity to the global conversation, and, as an editor and publisher, to support, empower, and make household names of journalists who do the same.</image:caption>
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      <image:title>About - It was mid-March in 2008,</image:title>
      <image:caption>and the idyllic California sun was glimmering along the bikes passing outside the Stanford Earth Sciences Library. I struggled to connect to the people and places I was reading about in my textbook — tried to picture the contaminated water wells in Bangladesh, the deforestation in the Amazon, the conference rooms filled with United Nations delegates. The information was in my hands, but I couldn’t visualize these places, couldn’t hear the voices of these people, couldn’t see how I could be anything except an anxious bystander. So three months later, at the impulsive age of 19, I packed my army-green backpack and flew 5,000 miles to a new home: Cochabamba, Bolivia.</image:caption>
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      <image:caption>I wandered through vapor clouds billowing from food stands hawking cow-heart-skewers; eavesdropped on Spanish seasoned with the slang of Quechua tribes; glided through crowds peppered with bright fabrics slung over indigenous shoulders. Suddenly I felt alive again — like I did as a kid, reading about scientists and explorers of old, or following my parents through the jungles of the Amazon. My time in Bolivia wasn’t always idyllic — often far from it — but it was real. Several months in, as the country fell into unrest and roads shut down with protests, I found myself sitting with a handful of Quechua women alongside adobe houses beyond the reach of roads.</image:caption>
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      <image:title>About - In the last 12 years, I have written, edited, and published more than half a million words.</image:title>
      <image:caption>Being a journalist has allowed me to meet incredible individuals — from the first riverboarders to hurtle headfirst down the Grand Canyon to linguists capturing the last speakers of dying languages. I’ve gotten to report stories from ancient cities in Morocco to fish “tornadoes” off the coast of Mexico. I’ve invited readers to follow me to these places, to witness and hear these individuals first-hand — to get that depth and connection I yearned for as a teenager in Stanford’s sun-soaked library.</image:caption>
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